AI production.

We create AI films across genres.

An idea no longer hits
budget and physics.

Used to get cut
  • Locations that do not exist or will not let you in
  • Historical and fantastical worlds
  • Scale: crowds, cities, disasters
  • Dangerous or physically impossible scenes
  • Ten versions of one scene
  • A season or weather that does not match the shoot date
Today we shoot
  • Any location — from a flooded hall to orbit
  • Worlds are built for the story, not the other way round
  • Scale costs time, not millions
  • A stunt with no risk to people
  • Options get tested, not guessed
  • Any season on any day

This is the liberalisation of ideas.

A small brand can tell what was a studio privilege ten years ago.

Quality is decided not by the model,
but by who directs it.

A prompt briefs a shot: framing, optics, camera movement, light, the cut. Here they are written by directors and creators who did not start yesterday.

AI cannot feel.
Everything else it will do better than us.

So we hand it everything it does faster and cheaper, and keep the decision about what a person should feel.

What this gives you.

A faster start. The first material to discuss in 48 hours, not three weeks.

Cheaper mistakes. A bad idea dies in previz in a day, not on set on budget.

More options. We test three hooks instead of one for the same money.

The unit’s people.

The same people as on set, with a different tool.

—
ai director
—
prompt & shot design
—
motion & compositing

We will announce the unit’s line-up here shortly.

How it works.

01

Task and references

We work out what to say and to whom, and gather references and tone.

02

Script and storyboard

We build the structure, shot plan and editing rhythm before generation.

03

Generation and selection

Iterations per shot, holding character and lighting consistency.

04

Post and sound

Editing, grade, sound and music. The output is ready to publish.

While the unit is growing, we take on projects on very good terms.

AI projects.

all work →
Honeymoon for MIDA Nail Care — a frame from the AI series Honeymoon A brand series for MIDA Nail Care, made entirely with AI: 1960s Italy, four episodes, teasers and vertical cuts. The product lives inside the story instead of in a cutaway between scenes. view the case →

Let us show it on your task.

Send a brief or an idea, even an unrealistic one. In 48 hours we come back with previz.

A dark workstation with three monitors and blueprints on the wall
◍ unit · the station
A silhouette in front of screens showing generated frames
◍ picking frames